How to get your indy film on public television
An excerpt from Jennifer Owensby Sanza’s article about her success with “The Teachings of Jon” on public television. Really excellent advice (though I’ll add that it helps to talk with your local PBS station early on about the possibility of being a presenting station, sharing some resources or applying for ITVS’ LINCS program together. Click on the link at the bottom to read the whole article.
Getting my first documentary, The Teachings of Jon, broadcast nationally on public television felt like walking through a minefield, blindfolded. As a recipient of a completion funds grant from Corporation for Public Broadcasting (CPB), I was fortunate to have the best mentors to guide me through the process. Now when I work with other filmmakers, I’ve noticed that some of the mistakes I made are quite common, and easily remedied. Here are some important tips to help you avoid major pitfalls on your way to a national public television broadcast.
When One Door Closes, Go to the Next One.
Other cable channels may be known for producing some pretty good documentaries, but only public television has the potential to reach 99 percent of homes in the country. And let’s face it, having your documentary air on PBS’s national schedule or in an award-winning series such as POV or Independent Lens is the top of the heap. After pouring your heart into making your dream film, a pass from those programs can be really discouraging. Many producers don’t realize that within the PBS world there’s also APT (American Public Television) and NETA (National Educational Telecommunications Association). After being rejected by POV and Independent Lens, I took my film to APT, and they loved it. The rejection turned out to be a blessing in disguise. The Teachings of Jon is a great family film and through APT, my film was actually carried by more stations than it would have been on POV, and it aired during family-friendly timeslots (POV usually airs at 10 pm). So even if The Teachings of Jon had been accepted on POV, it wouldn’t have been the best way to reach the audience for my particular film.