How I Lost the Big One, Bigtime | Save the Internet

On April 16, 2010 by Colin

I posted the other day about the recent ruling for Comcast and against the FCC. This is straight from one of the attorneys that argued the case.

How I Lost the Big One, Bigtime

On Tuesday, the D.C. Circuit ruled on an important Internet law case I argued for Free Press on behalf of a range of “supporting intervenors” in the case. I wanted to post a few thoughts about the decision.

I’ll begin with how the decision affects you: It’s really bad news. I’m sorry to be the one to tell you, but I’m sure you’ve heard (from multiple news sources). The court decision is a stunning, sweeping defeat for the FCC and for its ability to protect consumers, foster competition and innovation, and preserve the Internet’s role as an engine of free speech and democratic discourse. It means, essentially, that the largest phone and cable companies can secretly block dozens of technologies used by large corporations, nonprofits and individuals to speak and organize, and the FCC can do nothing to protect us. (The subject of the Free Press-Comcast case, which this decision ctd…

Nielsen: Media Multitasking Catches On

On April 16, 2010 by Colin
I’m a little late posting this one, but a fascinating study that shows we like to surf and watch! (and I thought it was only me…) The two media can and will stand side-by-side for quite a while.
Written by Ryan Lawler

Posted Monday, March 22, 2010 at 8:30 AM PT

Nielsen: Media Multitasking Catches On

People are watching more TV than ever and using the Internet more than ever before. So how do they find the time? Mainly by doing both at the same time, according to new research from Nielsen. In its latest Three Screen Report, Nielsen found that 59 percent of consumers watched TV while simultaneously surfing the Internet, up from 57.9 percent in December 2008. The amount of time they spend doing also increased dramatically; on average, Americans spent three and a half hours on the Internet while also watching TV in December 2009, up from two hours and 36 minutes just a year before.

In December, the average American watched an average of 35 hours of live TV per week, with an additional two hours of timeshifted TV, Nielsen reports. The amount of television people watch is up about two percent from the year before, but DVR usage is up about 28 percent. In addition, Americans spent about four hours of their week on the Internet, including watching 22 minutes of online video and four minutes of mobile video.

The amount of online video consumers are viewing has grown 16 percent year-over-year, and it appears that much of that viewing is happening while people are at work. Approximately 44 percent of all online video viewing is happening in the workplace, according to Nielsen, a stat that probably won’t be too surprising for those who follow events like March Madness on Demand, which has been made available live online by CBS Sports. CBS saw a huge spike in traffic during the first day of the tournament in the hour after 2 PM EST, during which it delivered 533,000 streaming hours of video for the full hour.

While the amount of time Americans spent viewing mobile video remained flat, the number of users that watched mobile video increased dramatically. With an increase in the number of smartphones on the market and in user’s hands, the number of consumers watching mobile video increased 57 percent year-over-year, from 11.2 million to 17.6 million.

Response to PBS Revolution

On April 15, 2010 by Colin

1 comments:

Colin Powers said…

Like John, I’m interested to see how the dialogue develops on some of your provocative ideas. Anyone involved in the PBS system who doesn’t feel the pain of investing heavily in distribution technology with ever-shrinking lifespans is in denial or in the dark. And no one wants to do away with pledge drives more than those of us who have to go on air and conduct them.

A content driven model is hugely desirable, but I need to understand just how the funding flow would change.

I’ll describe the situation I know best and maybe you can help us find ways to repair or replace it… we need the ideas!

Our station has more filmmakers, journalists, editors, videographers and educators creating local content and providing hands-on educational outreach to the community than it does administrators, technicians or management. I’m not sure how much leaner we could be as a pure local content provider with a lighter technical burden. We’d still need a studio, edit bays, field equipment, engineers to maintain them and some sort of master control room to insert the local programs into the stream you imagine we’d feed to the commercial tower. Plus, we’d have to sacrifice our multicast channels that our audience has decided they really like. We would save on transmitter and other transmission costs.

Unfortunately the content creation side of media is expensive… just what the newspapers have discovered – and they don’t record in high-def!

I suppose we could transition to some system whereby national content fed via a national television feed and local content was strictly available via web, but I see two issues with this: First local content would hit that digital divide – back to the “people who need PBS the most” point. Second, local stations tailor their programming to suit the needs of their community – this would go. It would be Nova, American Experience, History Detectives nationwide at the same time every week. Convenient for branding and promotion, but not very reflective of regional tastes. Our station runs local content in prime time 3 or more nights week – much more on weekends and daytime.

Also, even a web-based local public media outlet requires the same facilities, equipment and personnel that I outlined above – especially to deliver professional content that will draw eyeballs in a cluttered media environment.

Finally, this discussion (and others on the web) have focused heavily on programming content and journalism, but few have addressed the value of station-based education departments that provide tens of thousands of hours of early childhood literacy, media literacy and teacher professional development training to school children and school districts throughout the country. Your pledge dollars support these activities, too. Where do those resources go in the FPBS?

April 14, 2010 11:50 PM

Post a Comment

Links to this post

Create a Link

Here is my response to the provocative site PBS revolution and the thoughtful post by John Proffitt posted yesterday.

Skatopia: 88 Acres of Anarchy – OH premiere!

On April 13, 2010 by Colin

“SKATOPIA: 88 ACRES OF ANARCHY”
Athens International Film and Video Festival – Opening Night
Friday, April 23  9:15pm @ Athena Theater in Athens, Ohio
(tickets avail at box office)

AFTER PARTY! Join Brewce Martin, many Skatopians and the Filmmakers
for the local premiere and after party!

(Skatopia is just 20 miles south of Athens in Meigs County)

What people are saying:

An inspiring story of building an empire with your own rules.
– Denver Examiner

Skatopia gives visitors… a taste of the absolute freedom they think they want.
– Rolling Stone

Completely even-handed, the film is… something that really needs to seen to be believed.
– Highsnobiety.com

It’s what you learn how to skate for… its living.
– Dustin Dollin, Pro-skateboarder

Art + Art = something more

On April 9, 2010 by Colin

This post really gets one thinking about how you might add value to that victim of piracy and VOD.. that endangered species – the DVD. Thanks, Brian for thinking out of the box!

SpringBoardMedia: Ken Price, Bukowski, Curation and Film

My favorite part of the show was over at the Franklin Parrasch Gallery in Midtown (only until April 20) – they have a collection of ephemera, books, postcards, album covers and even tequila bottles designed by or featuring art works by Ken Price. If you like his sculptures (I’m not as big of a fan of these as his other work, though they are what he’s most known for), then you must stop by to watch the ten minute video showing his process (layering up paint and then sanding it down to expose layers in patterns). Note to curators – put this video on YouTube once the show is over and his sales will likely triple. Anyway, the piece I most liked, and that I think is in a weird way most relevant to film, was a limited edition hard-bound coffee table book of Charles Bukowski’s Heat Wave, with drawings and original art work by Ken Price. The cover is the photo I’ve used here. As Black Sparrow’s website explains, the book was a large format (15×12) portfolio, with text by Bukowski (poems), illustrated with 17 black and white works by Price, handbound and including a disc of Bukowski reading his poetry and containing a compartment in the back with 15 original serigraphs which could be removed and framed. A limited, signed edition was made as well as a limited, unsigned edition and the entire thing came in a slipcase with a cool design.

I’m a fan of both Price and Bukowski (yes, I’ve not left my college reading days too far behind), but you don’t have to like either to think about how this could be used for film. Not every film, but some. I’ve often talked about ways to monetize content in a world where everything is increasingly becoming free – well, here’s a great example. I can see Price’s works for free, in galleries and online. Bukowski’s poems are all over the place, and even with his popularity, I can find them in numerous used bookstores for cheap. But this is a piece of art – when it first came out in 1996 it sold for about $3,500 and I imagine it’s worth much more now. I can’t afford it, but I bet the 100+ editions they made sold out. How can filmmakers duplicate this? Again, not everyone can, but I imagine there are fans who would buy something similar from many indie films. Perhaps stills from the film, coupled with the script, a DVD, etc. Or maybe the film, the soundtrack and text from an author that is in a similar vein as the subject of the film.  I’ve got lots of ideas for this, and I’m helping a few filmmakers whose films could definitely be re-purposed this way, but thought I’d share the idea with all of you, perhaps you can come up with an even better way to copy the idea in your work.

Ted Hope at DIY days

On April 8, 2010 by Colin

The Workbook Project’s DIY day in NYC last weekend was an inspirational moment of truly collaborative and community based thinking about storytelling and where it is going.  Check out one of the lead “inspirers” – Ted Hope

Ted Hope DIY Days from ZAFFI Pictures on Vimeo The keynote speech at the NYC DIY Days event by independent film producer Ted Hope. http://diydays.com

A scary week for those trying to keep the 'net out of corporate control

On April 7, 2010 by Colin

 

That deafening applause you hear is not from Durham, NC post NCAA, but rather from the MPAA and the representatives of other major content providers on both sides of the Atlantic cheering on what may be looked back upon as the trifecta week that broke the internet as we know it. Three momentous things took place simultaneously this week that combined are more important than most people realize – the Ipad was released, the UK looks poised to pass Debill and a federal appeals court ruled that the FCC doesn’t have the right to regulate broadband, thus possibly ending its ability to enforce network neutrality. ctd…

DIY Days really stretched my brain

On April 4, 2010 by Colin

The Workbook Project, Lance Weiler’s “open source” media collaboration platform pulled off its third outstanding DIY days event in NYC yesterday. I’ll be posting some great links, thoughts and feedback this week on what I’ve learned, but here’s one for tonight: a spinoff of the WB project has developed this award-winning 3 minute documentary series: RADAR. Check it out.

This is just one of their outstanding pieces:

Where's the beef?

On March 31, 2010 by Colin

With the whole media world rushing pell-mell into the “online viewing experience” you’ve got to wonder who’s minding the cash drawer. We all love the free media, but how is quality programming going to get funded? It’s not apparently, if we are looking from money from the best looking, smartest video site in the pack – Hulu.

Hulu Can Barely Cover Its Bandwidth Bills

alec baldwin hulu tbi

We're going bankrupt, but it's cool!

NEW YORK (AdAge.com) — Hulu is everyone’s favorite provider of TV on the web, but it’s facing an ideological battle over its future. On one side are its network backers, which would like Hulu to become a paid service. On the other is the advertising community, which would like to keep Hulu free as a test-bed for new targeted-ad formats that can’t be skipped.

Hulu is feeling pressure from its partners to erect a pay wall which would allow the web video provider to get some of the cable programming it covets, such as ‘The Daily Show’ which Viacom pulled off the service last month. ctd..

blog it

Live from SXSW: Viral video how-tos from the pros

On March 27, 2010 by Colin
clipped from smartblogs.com

The most fun — and still useful — panel I’ve attended at SXSW Interactive so far was Saturday’s How to Create a Viral Video. It doesn’t get much better than the three viral experts that Flux creative director Jonathan Wells brought together:

The tone for the session was set when Damian Kulash teed up “the definition of viral video”: Boobies and Kitties, which presents the view with 30 seconds of plunging necklines, 30 seconds of saccharine-sweet kittens and 30 seconds of kittens stuffed into bodacious cleavage. With such quality artistic contributions to our cultural good, who needs Quentin Tarantino? Continued…

blog it